Socialist Rhetorical and Dialectical Communication: Overcoming Brainwashing, Propaganda, Entertainment


How effective is the socialist left at winning over people in public meetings who are not already socialists? I would think that being socialists would make the people practicing socialism very good at being social. How true is this? There are two purposes in this article. One is to identify the similarities and differences between six forms of information control. The second part is to assess how good leftists are in using the two forms of control called “rhetoric” and “dialectic” at making their points. My claim is that the socialist left knows or cares little for these argumentation forms. This is one of many reasons why it is difficult to persuade or convince the public to become socialists or support socialist programs. These attempts could be in public gatherings such as rallies, city council meetings or in the workplace.

Six forms of information control

In my last article, I contrasted seven theories of propaganda, highlighting the work of sociologist Jacques Ellul. But as it turns out, propaganda is one of six forms of information control. Moving from right to left, from most to the least authoritarian we have:

  • Brainwashing
  • Propaganda
  • Mass entertainment
  • Public entertainment
  • Rhetoric
  • Dialectic

Brainwashing is the most conservative form of information control because it uses force to change minds. Propaganda, as we have seen in my last article, can be used by both conservatives and liberals. Both forms of entertainment are really politically apathetic, as they try to distract and provide escape from political and economic realities. Rhetoric is the essence of liberal viewpoints dating all the way back to debate among the classical Greeks. Dialectic was also used among the Greeks. It was used for conservative purposes by Plato and later by Hegel while Marx used dialectic to understand capitalism along with human history.

As in my article on propaganda, this article will cover information control that existed before the world-wide web and the rest of interactive media was created. Interactive media introduces a whole new level of interaction, which I am not experienced to comment on.

Origins of the terms

Of all the forms of information control, “brainwashing” is the most recent on the scene. It was coined by a CIA agent, William Hunter, in the early 1950s to describe the interrogation methods of Chinese Communists on American soldiers during the Korean War. The first use of the term “propaganda” was in early modern Europe by the Catholic Church to characterize the Protestant methods of conversion through print media.  The term “entertainment” was first used in the 17th century to describe activities in Europe that were considered to be amusement. Both rhetoric and dialectic have their beginnings in ancient Greece in the context of either developing an argument through one-on-one exchange (dialectic) or in persuading a public audience (rhetoric). Rhetoric settings were law courts. Aristotle and the Sophists were early theoreticians. Dialectic was originally associated with the dialogues connected to Plato and Socrates.

Overcoming bad reputations

Interestingly enough, all forms of information control except entertainment have bad reputations and are mostly used for political purposes by the Yankee state. For example, the word “brainwashing” was imagined as a product of seedy conspiracies of communist governments and practiced on dissidents. The movie The Manchurian Candidate most obviously depicts the fantasies of what the US state imagined the communists were doing. As can be seen by Robert J. Lifton’s book Thought Reform and the Psychology of Totalism, this had little resemblance to what the Chinese were really up to. As I said in my article on propaganda, the stereotype of propaganda, at least in Yankeedom, is the picture painted of it by reactionary conservatives. They say propaganda is solely political and it is engaged in by foreign, usually “authoritarian” governments. This stereotype also implies that there is no propaganda engaged in by the Yankee state. Of course, there are six other schools of propaganda, but the stereotype that is most powerful is the reactionary conservative one.

The last form of information control used by Yankeedom for political purposes is the stereotype of “dialectic”. Here, dialectic is associated with Hegel’s concept of the state being rational and self-justifying. Reactionary ideologists imagine that Hegel was anticipating the authoritarian states of Russia, China or Cuba. In history, the dialectical process was imagined by them to be a rigid description of a spiral of stages of human society being driven by conflict and taking the same of thesis-antithesis and synthesis. There was no room for individual freedom.

The stereotype of the term “rhetoric” usually means “empty words”, which usually are contrasted with taking action. Rhetoric is also contrasted with content, being form with no content, being superficial, or shallow. Rhetoric is usually associated with deception, exaggeration or the use of emotions, prejudices or sex. Plato has had a heavy hand in giving rhetoric a bad name.

Entertainment is the only form of information control that does not have a bad reputation to overcome. Its definition is to hold attention and divert it to something that is pleasing. It could be at a public event such as puppet shows, musical concerts, sporting events, theme parks, amusement parks, casinos, or circuses. In the case of mass media, there is amusement through movies, radio or television. Public and mass entertainment are created for the purpose of making money through delivering an experience or selling a product or a service.


Paraphrasing Kathleen Taylor’s book Brainwashing: The Science of Thought Control, brainwashing is a physiological attempt to do three things:

  • Erase existing thoughts, memories and cognitive content
  • Replant in the brain new content
  • Control the person’s actions remotely so they will obey without the presence of the persecutor

In a case of the pot calling the kettle black, some of the most extensive attempts at actually brainwashing people did not come from communist countries. It came from a Canadian psychiatrist Ewen Cameron in the 1950’s (see Adam Curtis’ Documentary, Century of Self II) who was eventually on the CIA payroll. The tale of Cameron is also documented in the book Brainwash by Dominic Streatfeild and in Journey into Madness: the True Story of CIA Mind Control and Medical Abuse, by Gordon Thomas. The CIA conduced its own experiments in Brainwashing as did the British physiologist, William Sargant in his book Battle for the Mind. Typically, brainwashing in its most severe forms takes place in hospitals, prisons, and the military in the form of torture. It also occurred at the hands of Catholic or Protestant religious institutions in early modern Europe. Its victims were heretics or witches.

The bad news for these terrorist spy organizations and the psychiatrists who worked with them is that they have been unsuccessful. The techniques of brainwashing described in the books have been successful in turning people into vegetables, making them dysfunctional. But they haven’t been successful in erasing, replanting and controlling people remotely.

Paraphrasing Jowett and O’Donnell book Propaganda and Persuasion, propaganda is the deliberate, systematic and often covert attempt by institutional elites to control:

  • Perceptions
  • Cognitions
  • Emotions
  • Behavior

Who are they controlling?  Masses of people through mass media, while censoring, hiding, restricting, distorting or exaggerating the claims and evidence of their opposition. Propaganda can be white, gray, or black. (See Jowett and O’Donnell’s book for more information, along with my previous article). Propaganda can be easily found during political election campaigns, inaugural speeches, religious recruiting, news reporting, film and, some say, sports.

Rhetoric is the systematic and overt study by an individual speaker of the strategies and techniques for how to convince (change the mind) or persuade (take action) a public audience on a controversial issue.  This is done through the use of Aristotle’s “rhetorical triangle” of argument which consists of logos (the evidence, facts) ethos (having credible sources) and pathos (the appeal to emotions and imagination). It is practiced in courts of law, political debates, scientific conferences and at public community meetings such as city councils.

Dialectic is most clearly present in educational institutions while at their best between teachers and students. Dialectic is the co-creative process by which educators and sometimes debaters:

  • Encourage and bring out the experiences of individual students for public discussion
  • Encourage students’ self-reflection on the relationship between cultural information and their personal experience
  • Face honestly the contradictions which may arise between their personal experience and cultural institutions
  • Feed-forward (plan) and integrate the work experience school has trained them to do into the cultural pool of knowledge and expertise for the next generation

The heart of an active dialectic process is that through constructive creative conflict between teacher, student, a cultural body of knowledge and work experience, a synthetic body of knowledge arises with is more than either educators (as the transmitters of cultural information), students or a public audience had when they first started.



It is important to understand who is interacting with who: i.e., whether the sender and receiver of information are elites, individuals, the public or a mass. In the case of brainwashing, it is an elite interrogator interacting with an isolated individual. In the case of propaganda and entertainment elites attempt to influence either masses of people or publics. In the case of both rhetoric or dialectic a single speaker appeals to the public or another individual.

Intentions of the Influencer

In brainwashing, the purpose of the psychiatrist or interrogator is to change people by force in the hopes of changing their mind and their actions. In the case of propaganda, the propagandist wants to narrow the focus of the mind or their actions so there are only two choices. Propagandists want to control people by setting up parameters, not to force them to do one thing. The creators of both mass and public entertainment are not interested in changing minds, but they are interested in persuading people to act. In the case of mass entertainment, they hope that the associations between the celebrity and the product they are trying to sell will stick in the minds of the audience. In public entertainment, the hope is to have the audience swept away either by a very competitive ball game or the daring-do of a circus performer. Rhetoric’s emphasis is to open minds and change behavior. Dialectic more than another other source of information control wants to open minds as a way of life.

Dynamics of information flow

In terms of the dynamics of the information flow, the most asymmetrical exchange is in brainwashing where elites have all the power, and the victim is in some kind of forced restraint. In the case of both propaganda and mass entertainment, the relationship between elites and masses is asymmetric but the masses do give some feedback in terms of statistics such as votes received, tickets sold, or products bought. Public entertainment and rhetoric are still asymmetrical but less so because both the performer (music) or public speaker (rhetoric) does receive feedback in terms of audience responses, whether booing, silence, cheering and in the body language of the audience. When teachers are committed to having participatory classroom, dialectic is the least asymmetrical because part of education is to bring out the past experience and current work history of the individual into the public discussion.


In terms of mediums used, brainwashing and public entertainment have a lot in common. They both hope to disorient the public. In casinos, clocks are removed, exits are difficult to find, loud music blares, free drinks are offered by sexually provocative wait staff, extra oxygen is pumped into the building to cause lightheadedness, and there are faked sounds of customers winning filling the air.

In brainwashing spatial and temporal disorganization are key. Both propaganda and mass entertainment use movies, radio, television and billboards. Public propaganda is more likely to use billboards. Public entertainment is more likely to use images and various theatrical tricks such as lighting, stage sets in addition to electronic billboards. Both rhetoric and dialectic are critical of the use of mass media because it tends to draw attention away from the relationship between speaker and public and the individual. The medium for rhetoric is the words of a speaker with no more technology used than a microphone. Dialectic uses writing exercises, small group work along with debates.


Brainwashing is the least likely to provide real evidence. Because of the compromising position they have their victim in, they can engage in character assassination, manufacturing false evidence, distorting or omitting evidence. There is literally no opportunity for the victim to weigh or integrate the information. The torturer is likely to withhold information or time the deliverance of information in a predetermined way. In brainwashing, there is no alternative source of information provided. What alternatives are available are in the memory of the victim before they were captured.

As I discussed in my previous article on propaganda, propaganda can be based on facts or lies (black propaganda). It too can also distort or omit evidence. Like brainwashing, in propaganda evidence does not flow in a spontaneous manner. Information is withheld or released at the most opportune time. For example, declarations of war are rarely timed just before an election. Because propagandists cannot completely control their masses, alternative sources of information are available, but the propagandists will do everything they can to censor, minimize, exaggerate, distort or vilify their opposition. Capitalism’s treatment of socialism and communism are some of the clearest examples.

With mass entertainment, the only evidence presented is what fits with the stereotypes people have of how celebrities are supposed to act. So, in the 3rd Hunger Games episode, Katniss has to have a baby because the producers of the movie have no confidence that the audience can tolerate a female heroine without children. All mass entertainment has to be sensitive to current fads and fashions, in the case of movies, or the existing consumer patterns in the advertisements that are linked to the radio or television programs. Unlike either brainwashing or propaganda, mass entertainment has to compete with other forms of mass entertainment so they cannot transmit a single message to their audience. Public entertainment also must conform to stereotypes of the audience as well, but there is more room for unconventionality because public entertainment is not quite has heavily scripted. In addition, public entertainment has to be more sensitive of the collective emotions of the audience that go with the seasons and the holidays. In public entertainment the information flow to the public is more focused since at a musical concert or a circus, you cannot change the channel.

Both rhetoric and dialectic are far more rigorous in their expectations about evidence. In good rhetoric, it is expected that the evidence follows Aristotle’s rhetorical triangle, and that the presentation of the evidence considers the time, place and circumstance. The idea is to maximize the chances of being convincing and persuasive. Rhetoric at its best will not rest itself on representing one other viewpoint.  It may include other viewpoints before attempting to refute them. Lastly, dialectic will most actively cultivate many viewpoints. For example, in the fields of sociology, psychology and philosophy there are generally 4-6 schools within a field. In an educational setting, the teacher should be able to present all the schools and compare them to each other. The quality of the research in dialectic educational setting should come out of the research in textbooks which are cross-culturally and historically sensitive. Dialectic is less sensitive than rhetoric in consideration of time, place and circumstance because the goal is to change minds, not behaviors, so it wants to cultivate self-reflection, rather than getting the audience to do something.


Psychological hopes for the audience

What does the controller of information hope to do to their audience psychologically? In brainwashing the purpose is to create fear, desperation and ultimately dependency, as in the Stockholm syndrome. The victim has no privacy. The propagandist appeals to the lowest common denominator in people, demagoguery related to racism, nationalism and religious fanaticism. People have some privacy and they have some power to distance if they need to. But usually not for long. If the political propagandist wants to get people to feel a narrow range of emotions deeply, both mass and public entertainment appeals to the surface of emotions: what is insipid, petty, and needy. They both pander to unrealistic desires and vicarious living in the audience, all grounded in immediate gratification. In both mass and public entertainment, the audience can gain privacy by either turning off the radio or tv or to leave the entertainment site. Both rhetoric and dialectic at their best appeal to what is good for people in the long-run and each respects the privacy of the audience’s thoughts.

How is the audience characterized?

In brainwashing, the victim is treated as a pawn in a much larger game. They are demonized and treated as less than human. In propaganda, the audience is treated as a target, as a means to a larger end. In mass and public entertainment, the audience is considered passive, naive, gullible, stupid (Bernays) and lacking in long-term judgement. In rhetoric, the public audience is treated respectfully and capable of participating in decision-making. In dialectics, the audience is treated the best, as ends in themselves.

What is the audience expected to do?

The hopes of CIA brainwashing attempts were to find a drug that could erase the memories of the retired spies to reduce the chances of then turning against their masters and spilling the beans. Generally, the ultimate hope of religious brainwashers is to get the heretic to give up previous beliefs and be converted to new beliefs. Once that happens, they want the converted to stay passive and frightened so they can be controlled, even when there are no authorities around. In political propaganda the expectation is either to vote a certain way, go to war or to support the overthrow of another state. For mass entertainment, if the program is ongoing, the intention is to leave the audience partly satisfied but still wanting more. In the case of public entertainment, the entertainers want the audience to be fully satisfied, and hopefully talk to others about the event in the hopes of expanding the audience for the next public event. In the case of rhetoric at its best, the speaker hopes the audience will seriously consider mentally what was expected and then act accordingly. Lastly, in the case of dialectic, the hope of the teacher is that the student will become more curious, wonderous, critical and creative in their outlook towards the world and themselves.


In cognitive psychology there are two brain routes. The central brain route and the peripheral brain route. When people receive new information, they have to decide how seriously to take it. When people are experienced in a subject, they have a great stake in the outcome. They have some training in the subject and the problem may be complex but comprehensible. They are likely to use their full deliberation and critical thinking processes (central brain route). However, when people don’t have experience or training in a subject, they have little personal stake in the outcome and the problem seems convolute. They are then likely to use what is called the peripheral brain route. This is also called using mental shortcuts.

Suppose I take my friend’s car to a mechanic. The engine light is on and I ask the mechanic to take a look at it. I know next to nothing about cars and neither does my friend. Two hours later the mechanic calls me back with a very technical description of what is wrong, along with the cost of fixing the problem. The problem seems convoluted to me and I don’t have a much of a personal stake in it. What I will likely do is use the peripheral brain route. What this means is I will move from using my own mind, to go to another source. I will contact other car mechanics, get a second opinion and find out what they would charge to fix it. There is nothing wrong with using the peripheral brain route under these conditions. However, there are five other conditions under which people will use the peripheral brain-route that are counterproductive, and these conditions are what propagandists and entertainers will promote to get people to by-pass the central brain route. They are:

  • If there is time pressure (in sales, “time is running out”)
  • Volume scarcity (in sales, “get the commodity now, while they last”)
  • Sensory overload (as described in my casino example earlier)
  • Emotional appeal is superficial (titillation, sentimentality, infantile fantasies)
  • If the person is fatigued

The job of the propagandist and the entertainer is to create the five conditions above that will increase the chances of using the peripheral brain route rather than the central brain route where critical thinking takes place. The ultimate hope of the brainwasher is to restructure the brain itself by using drugs and sleep deprivation. If they cannot do that, they will also hope to keep the victim using the peripheral brain route constantly. Rhetoric at its best, as well as dialectic, will strive to build the self-confidence of the audience or the student so that they always use the central brain route as much as possible.


All forms of information control are either directly or indirectly connected to liberal conservative, socialist or fascist ideology and some of them also contain mythology. If we look at the practice of ideology, political attempts to brainwash are mostly related to fighting communism. Brainwashing experiments in prison, including experiments with LSD, were connected to the conservative belief that blacks were inferior so using them as guinea pigs was acceptable. Political propaganda is used by all four political tendencies to start and sustain wars, to influence voting or overthrow regimes.

Neither mass nor public entertainment have a political ideology to support them, but both forms of entertainment have mythologies designed to sweep people away. For example, the Lord of the Rings stories and characters, Harry Potter and Star Wars not only sweeps people away during the movie, but they set up future episodes with suspenseful endings. In public entertainment we have sports teams with stirring stories played out in pennant races stretching the drama out over seven months. Sports figures of the past and present are treated as modern day gods and goddesses by their fans.

Rhetoric is clearly identified with the liberal ideology of truth being found from debating different points of view, where controversies are the norm, and no single authority has all the answers. Rhetoric is a monologue where the speaker, at least initially, argues two or three points of view before determining their effect on the audience. The Sophists and Aristotle represented this rhetorical tradition while Plato stood for the conservative authority who does have all the answers.

Dialectic begins conservatively where learning the truth is not the result of the interacting of viewpoints, but as already contained in the authority of Socrates. The heart of dialectic is dialogue back and forth between two people. Later in history, dialectic becomes more liberal with the back-and forth no longer necessarily involving one authority figure. In the hands of pragmatic dialecticians, dialectic is not only connected to content but to process. Dialectic involves rules of conversation. Whereas in rhetoric, logical fallacies are more connected with the qualities of reasoning or tricks played on an audience, in dialectic fallacies are detected in the violations of the rules of dialogue. More on this later.


Sensual orchestration

Sensory orchestration is the manner in which the senses are controlled to create altered states of consciousness. The two extremes are sensory deprivation with all the senses but one turned off, or sensory saturation where all the senses are used and they are intensified. Brainwashing involves sensory deprivation with gagging, being blindfolded, and living in solitary confinement. Religious propaganda can be used to saturate the senses. Examples of this are the Catholic Church with its stained-glass windows, incense, church music, holy communion, rich wood and fabrics all being part of the atmosphere of the Mass.

Mass entertainment is often designed to create sensory overload with special effects and multiple sounds coming at the audience in a disorganized way to create astonishment and a diffused attention-span. This encourages using the peripheral brain route when being sold commodities during the show. Public entertainment is more guided, at least in terms of musical concerts and sporting events with the hope of providing vicarious satisfaction, inspiration or awe. Both rhetoric and dialectic look down upon the manipulation of the senses as taking the audience away from using their reasoning processes. They are content with the moderate use of the five senses to experience the world as it really is rather than through what they consider to be “smoke and mirrors”.

Symbolic orchestration

Religious and political symbols are very powerful in motivating people to fight and die for their political beliefs or religion. The crucifix, the American flag, the bible or the Quran exert a great hold over the emotions of an audience, a target or a victim. That’s why in brainwashing torture situations, the victim’s religious books will be torn or flushed down the toilet and their flags will be burned, defecated upon or used as rags. In propaganda, these same flags and books will be used to mobilize people to action.

Mass entertainment will include corporate logos which are stolen from political and religious symbols which have already built up a collective association in people’s minds. For example, look at the colors of the Bank of America or a Chevron credit card. In public entertainment, sports contain the heaviest dose of symbolic orchestration. Think of the baseball caps and jerseys the players wear as part of every major league team. This is part of the major league pantheon that fans participate in when they go to sporting goods stores and buy these hats and jackets, put bumper stickers on their cars and live and die with every win and loss if their team is lucky enough to compete for the pennant. Both rhetoric and dialectic steer clear of all symbols because they appeal to unreasonable elements that will distract from critical reasoning.


With the exception of mass entertainment, forms of information control are rooted in space and architecture and these containers can accentuate or dampen the form of information control. For brainwashing, the most effective spatial arrangement is solitary confinement before interrogation begins. Rooms have no windows and are poorly ventilated. A space that has windows reminds the victim there is life beyond the prison or hospital. Religious propaganda is most successful in cathedrals which overwhelm the devotees with their scale and high ceilings. Religious propaganda in cozy churches with modest decoration are likely to be less successful. Political propaganda is most effective near patriotic scenes—Bunker Hill, Lincoln Memorial or Mount Rushmore. In addition, Ellul’s sociological propaganda is at work when streets are named after presidents and monuments are made of them.

Public entertainment is made more powerful when held in stadiums which can accommodate thousands. Much of public entertainment is not just this particular concert or this particular ballgame. Rather it is a reflection of the history of the field. This includes the Cooperstown Baseball Hall of Fame, The Rock and Roll Hall of Fame, or the Country Music Hall of Fame. In movies, the reflective day of reckoning is at the Academy Awards.

Rhetoric outdoors is a special challenge because there are not the indoor spatial acoustics to contain the voice even with a microphone or a loudspeaker. Since the heart of dialectic is small groups or one-on-one and held indoors, in educational settings the spatial concerns should be a quiet room with a horseshoe-shaped seating.  This allows for dialectical crosstalk between members, rather than only a one-to-one relationship between the student and the educator.  


There are many theorists for all six forms of information control. I will limit myself to the most famous and theorists and practitioners of late 19th and 20th century. For brainwashing, the Canadian psychiatrist Ewen Cameron and the British psychiatrist William Sargant are probably the best representatives. For propaganda, there are Edward Bernays, Herbert Lasswell and Jacques Ellul. For mass entertainment, there are Ivy Lee, Ernest Dichter, Bernays along with by Paul Lazarsfeld. Two of the masters of public entertainment were P.T. Barnum and Walt Disney. Rhetoric has a long and interesting history of theories, but the most famous theorists in the 20th century would be Kenneth Burke, Chaim Perelman and Stephen Toulmin. The realm of dialectic has been recently given a shot in the arm by two prolific schools. One comes out of Amsterdam and headed by Frans van Eemeren and Rob Grootendorst. The other school in Canada was founded by Douglas Walton.


In everything that follows I will be speaking only from my personal experience watching and participating in rallies, organizing meetings, city council meetings and workplaces on and off for fifty years in the United States. 

Rhetoric for Radicals

Starting on time and welcoming

As I said earlier, rhetoric comes out of a liberal tradition and there is a great deal of research about how to convince and persuade an audience (Billig, Arguing and Thinking, Mccroskey Introduction to Rhetorical Communication). Do socialist organizers know about this research or pay any attention to it? Unfortunately, the answer is “no”. In political organizing meetings run by radicals, they ignore the protocols of good speech-making. One is starting on time. The anarchists especially make it a badge of honor and a sign they are not “uptight” or “hierarchical” by not starting the meeting on time. Secondly there is little or no welcoming of strangers. Religious organizations such as the Unitarians, know better. There are greeters who welcome people as they come in, help them find seating and ask them if they had been there before. What do these socialists who claim to be social do? There is usually no greeter. Newcomers have to find their own way. Socialists already there talk to each other and ignore new people. This is true of anarchists and all the various kinds of Leninists groups I have experienced. I have to say that the Social Democrats are better about these formalities and generally have better social graces.

Five canons of rhetoric

Now let us look at the structure of the speaker’s talk. In addition to a political meeting run by radicals, let us add imagining the socialist speaker is addressing a city council meeting. In rhetoric there are five canons of classical rhetoric:

  • Invention (deciding on a claim and marshalling evidence)
  • Arrangement (deciding the order of placement of the evidence based on the audience)
  • Style (choice of language and expressive devices)
  • Delivery (the speaker’s clothing, use of voice and body movement on the stage)
  • Memory (the use of mimetic devices to help the person remember their speech so they don’t have to read it)

How do socialists do with these canons? Not very well, I’m afraid. While the invention is usually good, socialists usually have no knowledge of the research on the primacy effect or the recent effect in deciding where to place their pieces of evidence. They usually have no justification for the sequencing of their evidence in particular places. The style of socialists is usually insensitive to the choice of words. The language remains pretty much the same regardless of the audience and socialists very often know nothing about expressive devices. Most socialists have bad delivery styles. Then don’t dress for the occasion, imaging that such preoccupations are “bourgeois”. They mostly don’t have command of the stage and their movements are awkward. Most socialists I have watched do not commit their speech to memory and simply read it off a paper, breaking consistent eye contact with their audience.

Setting the right atmosphere

Radicals inadvertently carry over Plato’s hostility to rhetoric. Plato saw Truth as independent of time, place and circumstance. Like Plato, too many socialists are convinced they have the truth and do not want to waste time spoon-feeding it to people or finding out what the masses think. Good form, stage presence, flowers, inspiring decorations are seen as superficial and not to be taken seriously. So, it is no problem that chairs are broken-down or uncomfortable, podiums are made out of plywood, there is bad lighting and acoustics. These things are not seen as having any relevance to the content of the message.  The talks are often not well-organized and go on too long. Breaks are not built into the meetings.

Importance of charisma

Most socialists do not understand that there is a rational basis for charisma. Charisma is not just linked to spiritual possession, speaking in tongues and inviting people to fall apart. As I remember it, something like 90% of the presidents who won elections were the taller of the candidates. Why is this? Because there is unconscious evolutionary psychology at work. People judge taller people as having better genes. The same is true with body shape – wide shoulders, narrow waste for men and large breasts and wide hips for women. Facial symmetry, hair sheen are all factors that make someone politically appealing as a speaker. Any leftist political candidates who ignore physical appearances may congratulate themselves in being politically correct, but they are working against the unconscious preferences of the overwhelming majority of humanity. Whatever we think of Obama politically, he had charisma and all the trappings of a good rhetoricians. How many socialists can match this? Richard Wolff, Cornell West – not many more.

Sympathetic, neutral and hostile audiences

Rhetoric theorists divide audiences into sympathetic, neutral and hostile. At rallies I’ve seen socialist speakers give the same speech assuming the audience is sympathetic and make no effort to reach liberals in the crowd who are neutral. City counsel meetings are the most demanding for a socialist speaker because both the public audience, as well as the city council members, are not socialists, and some will be conservative. Will the socialist have something to offer a conservative, hostile audience? The answer, I think, is they will have nothing.

Grabbing and holding attention

In rhetoric it is normal to expect that when people first come into the room, their attention is elsewhere, and the speaker has to earn the attention of the audience. About the worst offender of this is Noam Chomsky, who regardless of time, place and circumstance starts droning on as if the audience was already captured. Only a tenured academic with a captive audience of students could get away with this anti-rhetoric. In a large group of people, especially strangers, some kind of icebreaker, joke, or inspirational quote needs to be given to get the audience warmed up and focused.

Defining key terms

One of the major steps in making an argument is to define key terms. In argumentation theory, a person’s claim usually has a word or two that needs definition because the word has many meanings and can easily be misunderstood. So, in any presentation about say, pornography, the word must be carefully defined before an argument proceeds. Most of the time socialists do not do this. They just assume words like “imperialism”, “neoliberal” and “working class” are self-evident.

The rhetorical triangle

In terms of the rhetorical triangle we discussed earlier, socialists are not well-rounded in covering all three parts. Often the pathos part of the argument – the appeal to emotions and imagination – are ignored, as mass psychologist Wilhelm Reich pointed out in the 1930s. The Nazis were far smarter than the socialists in understanding that audiences can be moved by the worst kind of emotions – racism, blind loyalty to the state and infantile wishes of superiority. All the facts and the right sources are not enough.

Appealing to the short-term self-interest in the audience

Those on the left mostly do not appeal to the short-term self-interest of the audience because they think that would be selfish.  Everyone is assumed to be an altruist. There is an absence of understanding that the audience attended to get something tangible from the meeting before leaving. The appeal if often to far-away places and middle or long-term timeframes. This leaves most audiences cold and unlikely to return.

Making predictions

Leftists do not attempt to treat the argument they are making as subject to any expectations approaching the scientific method. For example, there is no promised follow- up to see whether what one is proposing was successful or not or not. Just like bourgeois politicians, there is little attempt to put parameters around the claim, like the exceptional circumstances in the present that might come up that would make the speaker withdraw the claim. There is little quality control in leftist arguments, at least the public ones.  Neither does the leftist make a prediction of falsifiability. Falsifiability means, if the claim was put into practice what are the conditions under which you can be proven wrong?

Having transition plans

The final part of a good rhetorical argument is to have a plan: a step-by-step procedure for how to get from where we are now to where we want to be. This includes a three to five step process for putting the claim into practice, including a timeline. The plan would need to include the costs of all the steps, a feasibility analysis and the benefits to the audience. All this is essential strategy if leftists want to appeal to anyone who is not already convinced. Leftists are very weak in in presenting the methods of how to realize the goal with given a set of procedures. The Trotskyists’ call for a transition program is one step in this direction but it lacks the concreteness of my description. The weaknesses of radicals in relation to rhetoric has come to the attention of Jason Delgado, who has written a book about it, Rhetoric for Radicals.


Marxists claim the word dialectic as their own and imagine that if they have read Hegel and Marx, they know everything there is to know. Typically, dialectics refers to a way of thinking about how capitalism works, or it refers to a stage theory of history. But what the overwhelming number of Marxists don’t know is there is a history of dialectics that has an entire field of speech communication. That means how people talk to each other interpersonally.

Presenting the maximum number of viewpoints

As mentioned earlier, in educational settings dialectics will present between 4-6 points of view because in many human sciences from psychology to sociology to economics to politics, there are usually 4-6 theoretical schools. Do socialists in any setting present four to six schools in addition to their own? No, they don’t They merely present a capitalist opposition, and then present their own theory. Leftists cannot even bring themselves to treat fairly the positions of contending socialists, let alone liberals and conservatives.

Supporting individual self-development

Referring back to our definition of dialectics earlier, do socialists attempt to bring out the experiences of individuals in public in order to give them an opportunity to self-reflect on their own life? No, they don’t. They may use the life of a single individual preselected in the audience to make a point. Everyone else remains passive. Rarely are individuals invited into the sweep of history. They may refer to history, but the present audience is rarely invited in.

Questions from the audience and cooperative argumentation

The heart of dialectics is question, answer, deeper questions, deeper answers and so on. Most radicals do not invite questions from the audience, in some cases because they think they already have the answers (many Leninists) or because they are afraid of losing control of the audience. In some sense, this is understandable because at city council meetings or at rallies the audience does not know how to ask open-ended questions. They want to make speeches themselves. But in what is called “cooperative argumentation” by argumentation theorists, the conflict between speaker and audience leads to synthetic knowledge which is new and more than what either the speaker or the audience possessed before the discussion began.

Types of dialogue

In his book The New Dialectic, Douglas Walton identifies seven types of dialogue: pedagogical (teaching), deliberative (politics), debate (law), inquiry (science), information seeking (interview or advice), negotiation (business transactions like making deals) and persuasive dialogue (advertising). All these types of dialogue have their own set of rules, customs and violations. Do socialist organizers know about the seven types of dialogue? They may know something about dialectical deliberation, but I would be very surprised if they knew about any of the others, let alone knowing how using the other types selectively may improve their own deliberative dialogue.

Understanding fallacies as mistakes in the process of conversations

Most socialist organizers have probably taken a class in college in critical thinking and/ or public speaking and have learned the various kinds of thinking fallacies. Others have gone on to be lawyers and have training in debate. But virtually no one has learned that the fallacies can be organized according to violations in conversation rules. In their book Argumentation, Communication and Fallacies Frans van Eemeren and Rob Grootendorst identified ten rules for critical discussion. Instead of thinking of fallacies as intrapersonal thinking mistakes, the founders of the pragma-dialectical perspective organize all the fallacies as violations of the ten rules of critical discussion. These fallacies are linked to include unauthorized changes in the situation and roles; changes in topics; changes in the physical setting; changes in goals; changes in methods; and changes in rules.

Do socialist organizers know anything about either of the two dialectical schools of speech communication, their principles and methods? I have never met or seen a socialist organizer who knew about this.


In the first two thirds of this article, I compared the similarities and differences of six schools of information control. In the last third of my article, I examined how knowledgeable socialists are about the two forms of information control which are the most anti-authoritarian: rhetoric and dialectic. Sadly, what I’ve found is that most socialist, even socialist organizers, have not systematically used nor continue to use research on rhetoric and dialectic in their work, whether it be rallies, city council meetings or community or labor organizing. I find this very sad and ridiculous considering that socialist claim to be social while ignoring knowing little about research in two of the most prominent fields in speech communication, rhetoric and dialectic.









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